The brief also requests that work should engage, however conceptually, with the human body and/or the spaces it occupies; Bethany’s work reflects her upbringing in the heartland of England’s glass and steel industries, and in particular to the machines that have formed the lives of factory workers including her own. She has adapted mechanical processes of bending, cutting, grinding and welding to produce a succession of sculptures manufactured in steel rod using her own body as a template.